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Dream of the Red Chamber

 

Introduction

From the moment it began to circulate in manuscript form in the 1750s, the Qing novel Dream of the Red Chamber (also known as the Story of the Stone) was recognized as a major aesthetic and cultural phenomenon. In the same way that a U.S. citizen who has never read Shakespeare will recognize the names and significance of Romeo and Juliet, the characters in Cao Xueqin's Dream of the Red Chamber have universal name recognition in contemporary China. During the most repressive years of the Cultural Revolution, this novel about a fabulously wealthy aristocratic family was saved by its sympathetic portrayal of the maids and an old peasant woman, Grannie Liu. The only approved way to read the novel until Mao's death in 1976 was through a Marxist lens.

The 1990s release of a wildly popular television series closely based on the novel marked a return to a purely aesthetic appreciation of the novel. Built in 1996, the "Grand Prospect Garden" theme park is more closely geared to the television series than the novel. Vendors selling trinkets and snacks are scattered throughout the large park; a sensorama film allows visitors to experience Baoyu's famous dream visit to the World of Disenchantment. The gender inversions and questioning of parental and imperial authority so important to the meaning of the Qing novel are rendered harmless in the television series and in the park. Although the novel is treasured for its brilliant use of poetry, none of these literary touches are inscribed as couplets in the park. Instead, a placard stands in each of the pavilions introducing the characters who live there and describing the architectural features.